by Joanna Ostapkowicz (Editor, Contributor), Jonathan A. Hanna (Editor, Contributor)
Publisher: University Alabama Press; First Edition
Publication date: April 20, 2021
Language: English
Hardcover: 352 pages
ISBN-10: 0817320873
ISBN-13: 978-0817320874
“Real, Recent, or Replica: Precolumbian Caribbean Heritage as Art, Commodity, and Inspiration” is a groundbreaking exploration of previously overlooked subjects within Caribbean archaeology, delving into the issues of heritage site looting, the proliferation of fraudulent artifacts, and the illicit trade of archaeological materials.
This book is the first of its kind, shining a spotlight on the growing commodification of Caribbean Precolumbian heritage, specifically Amerindian art, including what is often referred to as “Taíno” art. This unique heritage has garnered immense interest from collectors, sparking a thriving and increasingly sophisticated underground market for forged pieces. Simultaneously, contemporary artists are openly drawing inspiration from this heritage, creating modern works of art rooted in the past.
Within the pages of this volume, contributors confront challenging and pressing topics, such as the ongoing looting of archaeological sites throughout the region, the alarming surge in forged artifacts, and the inherent disparities in power and economic dynamics between those who produce and those who consume neo-Amerindian art.
The case studies contained in this book reveal the extensive history of forgeries in the Caribbean, dating back to the late nineteenth century. They also address the protective measures and policies enacted by Caribbean governments and institutions to safeguard their national heritage. Furthermore, these studies explore how the presence of looted and forged artifacts impacts the strategies used by museums and institutions in collecting and representing the Caribbean’s historical legacy to their audiences.
In essence, this volume underscores the persistent and unwavering demand for “authentic” Precolumbian artifacts, regardless of the associated costs. It offers valuable insights and guidance for archaeologists, museum professionals, art historians, and collectors on combating illicit trade and aiding communities in establishing sustainable heritage industries.
Notable contributors to this volume include Dr. L. Antonio Curet, who provides the epilogue, and Peter E. Siegel, responsible for the foreword. Additional contributors encompass a diverse array of experts and scholars in the field, each offering their unique perspectives and insights on these critical issues in Caribbean archaeology and heritage preservation.
